The video explains that Sullivan was not referencing classical or medieval precedents. See if you can make an inventory of all the details you see. Look closely at the details of the molded terracotta decoration shown in the video and visible in the zoomable images linked below. ![]() Learn more about architect Louis Sullivan at the Chicago Architecture FoundationĬompare the Bayard-Condict Building with the Reliance Building (1895), an early skyscraper in Chicago designed by the firm of Burnham and Root. Louis Sullivan papers, etc., Art Institute of Chicago Louis Sullivan, The tall office building artistically considered, 1896 New York City Landmarks Preservation Report One can take pleasure in the discovery of the surface as their eye progresses higher and higher. In the case of the Bayard-Condict, the visual coherence on the façade between the decorative motifs and the overall structural design slowly draws the viewer’s gaze upward. In particular, he explored how exterior decoration contributed to defining skyscrapers as such, celebrating and drawing attention to (rather than away from) their height. Chicago-based architect Louis Sullivan lent his unique stylistic vision to the design of the Bayard-Condict, reflecting the significant thought he gave to the beauty of all his buildings.The non-load-bearing facade is decorated with mass-produced, molded pieces of terracotta that were inexpensive compared with hand-produced decorative features that adorned earlier buildings. It combines an interior steel frame with an exterior curtain wall, allowing for the building’s 12-story height. The building employs the latest advancements of the time in structural design and materials. The Bayard-Condict Building exemplifies the innovations in late 19th-century architecture that enabled for the growth of the skyscraper in cities across the United States. ![]() Elena FitzPatrick Sifford on casta paintings Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.
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